Color Under Your Lighting
Blues that look right on a monitor can read purple under warm office light and turquoise in daylight. You check the proof in the room, and we adjust the ink before production.
Hold your design on the real material before a single roll is printed.
What Is a Strike-Off?
A strike-off is a trial print of your design, made on the production material with the production inks before the full run. Ours is a 12″ × 24″ press proof, printed exactly as your rolls will be.
It's the best guarantee that your design translates from screen to wall: you hold it in your hands, on the material you chose, under the lighting in the room. Once you sign off, that proof becomes the standard for production and every reorder.
How It Works

Step 1
Before anything prints, co-founder Steven reviews your files: scale, pattern breaks that would land awkwardly, and resolution. Where artwork is soft, we enhance it.
You also get a panel schematic showing how the design breaks across 52″ panels and maps to your walls, so layout problems surface before they become reprints.

Step 2
Choose up to three materials to proof. Most clients compare Type II commercial vinyl against non-woven, traditional against peel & stick, matte against textured, or a standard stock against canvas, grasscloth or metallic.
We recommend materials on two things: the look and feel you're after, and the space's requirements. A hotel corridor needs a different spec than a residential feature wall.

Step 3
We print your proof on the exact substrate with the exact UV-cured inks your rolls will use. Check the color under your own lighting, the texture in hand, the fine detail and the finish.
Once you approve it, the proof becomes your production standard. We keep it on file for batch consistency and reorders: what you approve is what ships.
Why Proof Every Project
Something can look perfect on screen and still disappoint on the wall. A small, affordable print catches it first.
Blues that look right on a monitor can read purple under warm office light and turquoise in daylight. You check the proof in the room, and we adjust the ink before production.
An embossed Type II vinyl can soften fine linework or small type. Seeing both side by side tells you whether to simplify the pattern or switch materials.
A 36″ repeat on a 9½-foot wall breaks awkwardly at the ceiling. The schematic shows where, and we adjust scale or alignment before printing.
Pricing
Every proof is printed at full production quality, and its cost is credited toward your order.
5–7 business days from file approval
A 12″ × 24″ production-quality sample on each material you're considering, up to three.
Quoted with your project
A larger proof for judging pattern scale on a big installation, priced by the square foot beyond the standard 12″ × 24″.
Approved proofs stay valid for 90 days. Production takes 7–10 business days after approval.
The Exceptions
We recommend a proof for every new design. A few projects can go without one.
The same design on the same material: your original approved proof is the standard.
Simple designs on materials we print constantly, when an event date can't move.
Solid backgrounds or basic type, with no critical color match.
Skip the proof and what prints is final: no adjustment before production and no recourse for color.
Popular Materials to Proof
Four of the materials clients proof most, each code and safety compliant.
Joseph was a pleasure to deal with and produced incredible samples very quickly! The quality of our final print was amazing quality, very happy with the outcome and experience.
Joseph, Steven, and team went above and beyond to make a dream wallpaper for my client. After wasting time and money at other bespoke wallpaper services, I was in a rush to print good wallpaper and fast. They gave us many options for quality, and had great communication every step of the way. I 100% recommend this service.
Joseph and Fine Print were an outstanding company to work with. Joseph took my brittle border fragment and sensitively captured the color quality of the original in a brand new run. Joseph and company were always responsive with clear communication. They provided the product in a timely manner, and my crew loved the product quality for application. I recommend Fine Print New York without reservation.
I have worked with Joseph and the team on a number of wallpaper jobs for fast moving photoshoots and they are the best in the business! Incredibly helpful with design work and the finished product is always beautiful - Joseph goes above and beyond!
A strike-off is a trial print of your design, made on the production material with the production inks before the full run is printed. It lets you approve color, scale and texture in hand rather than on a screen. Our standard strike-off, which we call a press proof, is 12″ × 24″.
Our standard press proof is 12″ × 24″, large enough to judge color, texture and several repeats of most patterns. Larger proofs are available, priced by the square foot, and help when you're judging scale for a big installation.
$50 per material, for up to three materials, and the cost is credited toward your order. Each proof is printed at full production quality on the exact substrate and inks your rolls will use.
5–7 business days from file approval. Once you approve the proof, production takes 7–10 business days.
Yes. Proofs are printed on your actual production substrate with the same process and UV-cured inks, so the texture, finish and sheen you see on the proof are what your rolls will deliver.
90 days from delivery, enough time for stakeholder reviews and lighting tests. After that we may reprint it if substrate or ink batches have changed, so production matches exactly what you approved.
Yes. The physical proof is yours for reference, client presentations or installation coordination. We keep a digital record and a physical archive of your approved proof as the production standard for every reorder.
Yes. Joseph matches physical samples (fabric, paint chips, printed materials) against our 20,000+ color library. Photos are less reliable because of lighting, but they work as a starting reference that we refine through proofs.
Screens glow; wallpaper reflects the light in the room. A color can also match under one light and shift under another (metamerism): blues that look right on a monitor can read purple under warm office lighting and turquoise in daylight. Checking the proof under your own lighting is how you catch it, and we adjust the ink values before production.
TIFF, PSD, AI, EPS or PDF, at 150 dpi minimum at final size (300 dpi recommended). Our prepress review flags resolution, color-mode and scale issues before anything is printed. See how to prepare your design files.
Not for an exact repeat of the same design on the same material: your original approved proof is the production standard. If you change the material or the colors, a new proof is essential.
What prints is final. Without an approved proof there's no recourse for color you're unhappy with, no chance to adjust before full production, and responsibility for any mismatch between the design and the material stays with you. We recommend a proof for every new design.
Getting the most from a proof, and setting up files so it prints right the first time.
Send your artwork and the materials you're considering, and we'll set up your press proofs.